Dido:
You can sleep forever
But still you will be tired
You can stay as cold as stone
But still you won't find peace
With you I feel I'm the meek leading the blind
With you I feel I'm just spending wasting time
I've been waiting
I'm still waiting
I've been waiting
I've been waiting
I've been waiting
I'm still waiting
I'm with you (with you)
Its always one step too far
One step too far
You can walk too far
But still you won't be found
You can look down on the world
But still you won't find love
You won't find love
Maxi Jazz:
Only with mellow
Are you thin enough to slide through.
If the sun or the moon should give way to doubt,
They would immediately go out.
One swallow don't make a summer,
But tomorrow has to start somewhere.
Only with mellow
Are you thin enough to slide through.
Only with mellow
Are you thin enough to slide through.
Don't Let nothing ride you
Only with mellow
Are you thin enough to slide through.
Don't Let nothing ride you
One swallow don't make a summer.
Dido:
I've been waiting
I'm still waiting
I've been waiting
I've been waiting
I've been waiting
I'm still waiting
I'm with you (with you)
It's always one step too far
One step too far
sábado 8 de noviembre de 2008
Dido Ft. Faithless - One step too far
viernes 7 de noviembre de 2008
the real Flying Saucer
cuando veo juguetes como este pienso en lo que se hace no comercialmente con ellos
decrecimiento exponencial
La curva del olvido ilustra la pérdida de retentiva con el tiempo. Un concepto relacionado es la intensidad del recuerdo, que indica cuánto se mantiene un contenido en el cerebro. Cuanto más intenso sea un recuerdo, más tiempo se mantiene. Un gráfico típico de la curva del olvido muestra que normalmente en unos días o semanas se olvida sólo la mitad de lo que hemos aprendido, a no ser que lo repasemos.
leer rostros (o mejor leo tus labios?)
The Facial Action Coding System (FACS) Manual is a detailed, technical guide that explains how to categorize facial behaviors based on the muscles that produce them, i.e., how muscular action is related to facial appearances. It illustrates appearance changes of the face using written descriptions, still images, and digital video examples. Behavioral scientists, CG animators, computer scientists interested in pattern recognition programs, and other technicians and scientists use FACS in their professional work when they need to know the exact movements that the face can perform, and what muscles produce them. Working through the exercises of the FACS Manual may also enable greater awareness of and sensitivity to subtle facial behaviors that could be useful for psychotherapists, interviewers, and other practitioners who must penetrate deeply into interpersonal communications.
FACS is a training manual, not necessarily easy reading, with lessons for detecting, performing, and categorizing facial movements. The manual does not discuss what the facial appearances described mean, except briefly in the Investigator's Guide. The FACS Manual enables the practitioner to recognize the elements of facial behavior that combine to create meaningful communications; FACS teaches the "alphabet" but leaves the considerable issue of semantics to other works. The FACS Investigator's Guide explains in general how to use FACS in scientific research, how it compares to other facial measurements, and what its psychometric properties are.
FACS is a training manual, not necessarily easy reading, with lessons for detecting, performing, and categorizing facial movements. The manual does not discuss what the facial appearances described mean, except briefly in the Investigator's Guide. The FACS Manual enables the practitioner to recognize the elements of facial behavior that combine to create meaningful communications; FACS teaches the "alphabet" but leaves the considerable issue of semantics to other works. The FACS Investigator's Guide explains in general how to use FACS in scientific research, how it compares to other facial measurements, and what its psychometric properties are.
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